I gave Claude Code access to my pen plotter. Not directly. I was the interface between the two machines. Claude Code produced SVG files that I plotted with my pen plotter. With my smartphone I captured photos that I pasted into the Claude Code session, asking Claude what it thought about the pictures. In total, Claude produced and signed 2 drawings. It also wrote a post about what it learned during the session.

This is a legendary Amiga demo from 1992 that won first place at The Party 92. It revolutionized the scene by combining vector animations of dancing silhouettes with techno/happy hardcore music.

Released in 1997, this demo blew some minds with its uncompromising style, lengthy vocals, and video rendering. No wonder it ranked first at X 1997. 

Solo-coded by the talented Skal, this demo has everything the late 90s could provide: a pure software 3D engine (look at the shadows...), a video player, crazy good 2D effects, and a mp3 player. This demo never lost its energy. must watch!  

When POLAAR commissioned me to create the album cover for Soreab, a UK techno producer, they asked for something in the spirit of my "Turntable Anatomy" series (a pen plotted series of generative modular grid art). But this project would take me somewhere else: into the intersection of AI glitchy hallucinations, contemporary dance theory, and the physical permanence of ink on paper.